“For Mary Wollstonecraft,” the sculpture unveiled earlier this week in honour of the 18th century British feminist, is essentially “For white women”: a public work of art that is the latest installment in a parochial feud amongst white women over who owns white feminism, in which a white artist has given shape to a slim, white woman that she claims represents “everywoman” as an homage to a white feminist who is claimed as the Mother of Feminism.